Glass engravers have been very proficient craftsmen and artists for hundreds of years. The 1700s were particularly notable for their success and popularity.
For example, this lead glass goblet demonstrates how inscribing integrated design trends like Chinese-style concepts right into European glass. It likewise shows how the ability of an excellent engraver can create illusory depth and aesthetic structure.
Dominik Biemann
In the very first quarter of the 19th century the traditional refinery area of north Bohemia was the only area where naive mythological and allegorical scenes inscribed on glass were still in vogue. The goblet imagined here was engraved by Dominik Biemann, that specialized in small pictures on glass and is considered one of one of the most crucial engravers of his time.
He was the child of a glassworker in Nové Svet and the brother of Franz Pohl, an additional leading engraver of the duration. His work is characterised by a play of light and darkness, which is particularly evident on this cup showing the etching of stags in timberland. He was likewise known for his work with porcelain. He passed away in 1857. The MAK Museum in Vienna is home to a huge collection of his works.
August Bohm
A noteworthy Nurnberg engraver of the late 17th century, Bohm worked with special and a sense of calligraphy. He engraved minute landscapes and engravings with bold official scrollwork. His work is a precursor to the neo-renaissance design that was to dominate Bohemian and various other European glass in the 1880s and past.
Bohm embraced a sculptural sensation in both relief and intaglio engraving. He displayed his mastery of the last in the finely crosshatched chiaroscuro (shadowing) effects in this footed cup and cut cover, which portrays Alexander the Great at the Fight of Granicus River (334 BC) after a paint by Charles Le Brun. Despite his substantial skill, he never accomplished the fame and lot of money he sought. He passed away in penury. His wife was Theresia Dittrich.
Carl Gunther
In spite of his tireless job, Carl Gunther was an easygoing male who appreciated hanging out with family and friends. He liked his daily routine of going to the Collinsville Elder Center to appreciate lunch with his friends, and these minutes of friendship gave him with a much needed respite from his requiring profession.
The 1830s saw something fairly remarkable take place to glass-- it became vivid. Engravers from Meistersdorf and Steinschonau created highly coloured glass, a taste referred to as Biedermeier, to meet the need of Europe's country-house courses.
The Flammarion engraving has actually become an icon of this new preference and has appeared in publications devoted to scientific research as well as those checking out mysticism. It is likewise located in various gallery collections. It is thought to be the only glass jewelry box gift making it through instance of its kind.
Maurice Marinot
Maurice Marinot (1882-1960) started his job as a fauvist painter, but ended up being fascinated with glassmaking in 1911 when checking out the Viard bros' glassworks in Bar-sur-Seine. They gave him a bench and showed him enamelling and glass blowing, which he mastered with supreme skill. He created his own methods, making use of gold flecks and manipulating the bubbles and various other natural problems of the material.
His method was to deal with the glass as a living thing and he was among the initial 20th century glassworkers to use weight, mass, and the visual result of natural defects as visual elements in his works. The exhibit shows the significant effect that Marinot carried modern glass production. However, the Allied bombing of Troyes in 1944 destroyed his workshop and hundreds of drawings and paintings.
Edward Michel
In the very early 1800s Joshua presented a style that imitated the Venetian glass of the duration. He made use of a technique called diamond factor inscription, which involves scraping lines right into the surface area of the glass with a hard metal carry out.
He additionally developed the first threading maker. This development allowed the application of long, spirally wound tracks of shade (called gilding) on the text of the glass, an important function of the glass in the Venetian design.
The late 19th century brought brand-new layout ideas to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British business that concentrated on high quality crystal glass and speciality coloured glass. Their work reflected a preference for classic or mythical topics.
